I went to see Brian Setzer and his big band tonight at the Arena Theater in Houston. The show was a part of his Christmas Extravaganza show. I almost missed it, only seeing the ad on the theater marquee one day as I was driving by a few weeks ago, and boy I'm glad I caught the show.
I've seen his Christmas DVD, so I had some idea what to expect, but the show was still overwhelming.
Now, I'm a heavy metal guy from way back, and very little thrills me like that feel of heavy metal thunder - the crunchy guitars and bass you can feel as well as hear, but something I had always heard is absolutely true - there is nothing in the world like the experience of seeing, hearing and feeling a big band live in full cry. The power is incredible. I've been listening to both the new and original big band stuff for a long time, but nothing beats the live experience. I saw Royal Crown Revue (more on them later) on their Walk on Fire tour at the Continental Club in downtown Houston a number of years ago, and it was an excellent show, but tonight was different.
The biggest surprise personnel-wise was the drummer - not Bernie Dresel as expected, but Danny Glass. Danny is a tremendous drummer who has done many things, but is most well known (to me anyway) for his work with Royal Crown Revue since 1994. If you don't know RCR, they - to quote DG's web site " single-handedly inspired
today’s “Retro-Swing"” resurgence by
combining 1940s sound and style with modern raw power." They were playing at the Derby in LA and were influential in inspiring and paving the way for other bands including Big Bad Voodoo Daddy.
Danny and Bassist Johnny Hatton form the backbone of the band, supporting five trumpets, five trombones, and five reed players who sometimes double up between saxes and things like bass clarinets and flutes.
In his Christmas Extravaganza shows, Brian mixes his regular hits with selection from his Christmas albums. All the expected tunes were present, with highlights being Stray Cat Strut and Jump, Jive, and Wail. Also appearing were This Cat's on a Hot Tin Roof, '49 Mercury Blues, and Drive Like Lightning, Crash Like Thunder. A tune made an appearance that I have never heard him do with the big band - the old Stray Cats number Sexy and 17. He did this as a feature with his backup singers, the Vixens - Julie and Leslie. His Christmas version of Stray Cat Strut includes a detour through You're a Mean One, Mister Grinch, and featured a costumed Grinch causing trouble and scattering sheet music. At one point the band takes a break and Brian plays a set with the trio, him, Danny, and Johnny. They ran through an exciting set including Fish Net Stockings, and the Vixens came back for Blue Christmas.
Brian's guitar work was up to his virtuoso level, with perhaps the most awe-inspiring example coming on his version of Flight of the Bumblebee - Honey Man. It features some of the fastest finger work I've ever seen. Breathtaking to see live.
For me, the highlight of the show was when the trio started in on Rock This Town, and the band came back in time to chime in for the second verse, with the whole band going full blast, and the crowd on it's feet. For an encore, they did their version of the Nutcracker, displaying a lot of versatility and quite a bit of instrument switching on the part of the reed section. They ended with their take on Glenn Miller's classic In The Mood. All in all, it was a tremendous show, and if you have a chance to catch them live I would highly recommend it. Also kudos to the stage crew. They had a lot of fun dealing with the rotating stage, and did great work getting the second drum kit on and off the stage for the trio set.
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Glad you got to catch him. I saw him back in 99 or so when swing was "big". He plays tomorrow in Allen but I don't think I'll make it. It would be too late a night out. :-(
Heck of a guitarslinger!
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