Wednesday, November 27, 2013

A Thanksgiving Repost


I would like to wish everyone a Happy Thanksgiving and offer an excerpt from Peter Marshall's The Light and the Glory on the first Thanksgiving and the events leading up to it.

If any one event could be singled out to mark the turning point of their (the Pilgrim's) fortunes, it would have been what happened on a fair Friday in the middle of March. The men were gathered in the common house to conclude their conference on military instruction, when the cry went up, "Indian coming!" Captain Standish shook his head, even as he went to look out the window - to see a tall, well-built Indian, wearing nothing but a leather loincloth striding up their main street.

"Welcome!", he boomed in a deep, resonant voice. The Pilgrims were too startled to speak. At length. they replied with as much gravity as they could muster: "Welcome."

"Have you got any beer?" he asked them in flawless English. If they were surprised before, they were astonished now. The Pilgrims looked at one another, then turned back to him. "Our beer is gone. Would you like some ... brandy? The Indian nodded. They brought him some brandy, and a biscuit with butter and cheese, and then some pudding and a piece of roast duck. To their continuing amazement, he ate with evident relish everything set before him. Where had he developed such an appetite for English food? How, in fact, had he come to speak English? For that matter, who was he and what was he doing here? But they would have to wait, for obviously he did not intend to talk until he had finished his repast. Finally the time for answering questions came. His name was Samoset. He was a sagamore (or chief) of the Algonquins, from what is now Pemaquid Point in Maine. He had been visiting these parts for the past eight months, having begged a ride down the coast with Captain Thomas Dermer, an English sea captain who was known to the Pilgrims by reputation. He had been sent out to explore the coast for the Council for New England, the company to whom they would now be applying for a patent. Apparently Samoset's sole motivation was a love of travel, and he had learned his English from various fishing captains who had put in to the Maine shore over the years. Now they asked the crucial question: What could he tell them of the Indians hereabouts? And the story he told gave every one of them cause to thank God in their hearts.

This area had always been the Territory of the Patuxets, a large hostile tribe who had barbarously murdered every white man who had landed on their shores. But four years prior to the Pilgrims' arrival, a mysterious plague had broken out among them, killing every man, woman, and child. So complete was the devastation that the neighboring tribes had shunned the area ever since, convinced that some great supernatural spirit had destroyed the Patuxets. Hence the cleared land on which they settled literally belonged to no one! Their nearest neighbors, said Samoset, were the Wampanoags, some fifty miles to the southwest. These Indians numbered about sixty warriors. Massasoit, their sachem (or chief) had such great wisdom that he also ruled over several other small tribes in the general area. And it was with Massasoit that Samoset had spent most of the past eight months. Who were the Indians out on the Cape who had attacked them? These were the Nausets, who numbered about a hundred warriors. The previous summer they had attacked Captain Dermer and killed three of his men. The Nausets hated the white man, because several years before one Captain Thomas Hunt had tricked seven of their braves into coming aboard his ship on the pretext of wanting to trade with them. He had taken them, along with twenty Patuxets , to Spain, where he had sold them into slavery.

By the time he was done with his tale telling, it was nightfall. Samoset announced that he would sleep with them, and return in the morning. Captain Standish put a discreet watch on him, but Samoset slept the sleep of the untroubled. And in he morning he left, bearing a knife, a bracelet, and a ring as gifts to Massasoit. That was the last they saw of him until the following Thursday , when he returned accompanied by another Indian who also spoke English, and was of all things, a Patuxet! The second Indian was Squanto, and he was there to be according to Bradford, "a special instrument sent of God for their good, beyond their expectation." The extraordinary chain of "coincidences" in this man's life is in its own way no less extraordinary than the saga of Joseph's being sold into slavery in Egypt. Indeed in the ensuing months, their was not a doubt in any of their hearts that Squanto, whose Indian name was Tisquantum, was a Godsend.

] His story really began in 1605, when Squanto and four other were taken captive by Captain George Weymouth. The Indians were taken to England, where they were taught English. When Squanto finally managed to make it back home and stepped ashore six months before the Pilgrims arrived, he received the most tragic blow of his life: not a man, woman, or child of his tribe was left alive! Nothing but skulls, bones, and ruined dwellings remained. In despair he wandered into Massasoit's camp, because he had nowhere else to go. And that chief, understanding his circumstances, took pity on him. But Squanto merely existed, having lost all reason for living. That is, that was his condition until Samoset brought news of a small colony of peaceful English families who were so hard pressed to stay alive, let alone plant a colony at Patuxet. A light seemed to come back into Squanto's eye, and he accompanied Samoset when the latter came to Plymouth as Massasoit's interpreter, for the chief himself had come, with all sixty warriors painted in startling fashion.

Out of this meeting came a peace treaty of mutual aid and assistance which would last for forty years and would be a model for many that would be made thereafter. Massasoit was a remarkable example of God's providential care for His Pilgrims. He was probably the only other chief on the northeast coast of America who (like Powhatan to the south) would have welcomed the white man as a friend. When Massasoit and his entourage finally left, Squanto stayed. He had found his reason for living. These English were like little babes, so ignorant they were of the ways of the wild. Well, he could certainly do something about that! The next day he went out and came back with all the eels he could hold in his hands - which the Pilgrims found to be "fat and sweet" and excellent eating. How had he ever caught them? He took several young men with him and taught them how to squash the eels out of the mud with their bare feet and catch them with their hands. But the next thing he showed them was by far the most important, for it would save every one of their lives. April was corn planting month in New England as well as Virginia. Squanto showed the Pilgrims how to plant corn the Indian way, hoeing six foot squares in toward the center, putting down four or five kernels, and fertilizing the corn with fish. At that, the Pilgrims just shook their heads; in four months they had caught exactly one cod. No matter, said Squanto cheerfully; in four days the creeks would be overflowing with fish. The Pilgrims cast a baleful eye on their amazing friend, who seemed to have adopted them. But Squanto ignored them and instructed the young men in how to make the wiers they would need to catch the fish. Obediently the men did as he told them, and four days later the creeks for miles around were clogged with alewives making their spring run. The Pilgrims did not catch them, they harvested them! Now the corn was planted. Pointing spoke-like toward the center of each mound were three fishes, their heads almost touching. Now said Squanto, they would have to guard against wolves, adding that the wolves would attempt to steal the fish. The Pilgrims would have to guard it for two weeks, until it had a chance to decompose. And so they did and that summer twenty full acres of corn began to flourish. Squanto helped in a thousand similar ways, teaching them how to stalk deer, plant pumpkins among the corn, refine maple syrup from maple trees, discern which herbs were good to eat and good for medicine, and find the best berries. But after the corn there was one other specific thing he did which was of inestimable importance for their survival. What little fishing they had done was a failure, and any plan for them to fish commercially was a certain fiasco. So Squanto introduced them to the pelt of the beaver, which was then in plentiful supply in northern New England, and in great demand throughout Europe. And not only did he get them started, but he guided in the trading, making sure they got their full money's worth in top-quality pelts. This would prove to be their economic deliverance, just as corn would be their physical deliverance. The Pilgrims were brimming over with gratitude - not only to Squanto and the Wampanoags who had been so friendly, but to their God. In Him they had trusted, and he had honored their obedience beyond their dreams. So Governor Bradford declared a day of public Thanksgiving, to be held in October. Massasoit was invited, and unexpectedly arrived a day early, with ninety Indians! Counting their numbers, the Pilgrims had to pray hard to keep from giving in to despair. To feed such a crowd would cut deeply into the food supply that was supposed to get them through the winter. But if they had learned one thing through their travels, it was to trust God implicitly. As is turned out, the Indians were not arriving empty handed. Massasoit had commanded his braves to hunt for the occasion, and they arrived with no less than five dressed deer and more than a dozen fat wild turkeys! And they helped them with preparations, teaching the Pilgrim women how to make hoecakes, and a tasty pudding out of cornmeal and maple syrup. Finally they showed them an Indian delicacy: how to roast corn kernels in an earthen pot until they popped, fluffy and white - popcorn! The Pilgrims in turn provided many vegetables from their household gardens: carrots, onions, turnips, parsnips, cucumbers, radishes, beets, and cabbages. Also using some of their precious flour, they took summer fruits which the Indians had dried and introduces them to the likes of blueberry, apple, and cherry pie. It was all washed down with sweet wine made from wild grapes. A joyous occasion for all! Between meals, the Pilgrims and Indians happily competed in shooting contests with gun and bow. The Indians were especially delighted that John Alden and some of the younger men of the plantation were eager to join them in foot races and wrestling. There were even military drills staged by Captain Standish. Things went so well (and Massasoit showed no inclination to leave) that Thanksgiving day was extended for three days.

Surely one moment stood out in the Pilgrims' memory - William Brewster's prayer as they began the festival. They had so much for which to thank God: for providing all their needs, even when their faith had not been up to believing that he would do so; for the lives of the departed, and for taking them home to be with Him; for their friendship with the Indians - so extraordinary when the settlers to the south had experienced the opposite; for all his remarkable Providences in bringing them to this place and sustaining them.

As I said earlier, this excerpt was taken from Peter Marshall's excellent book, The Light and the Glory, the first in a series he wrote on American history.

Happy Thanksgiving!

Monday, June 17, 2013

The Elementals of Vond

Please indulge me while I repost an article on the Mana-Punk.com website, a pen-and-paper roleplaying game for which I have just released a new dungeon adventure:

While things here on the website have been extremely quiet over the course of the last month (and we apologize for that), we have been toiling over the latest addition to the Mana Punk system, and the world of Zethyria in which it takes place. The final result for all of this work is a dreadfully delightful crawl through a working dwarven mine that has been taken over by hostile forces. I would proudly like to introduce everyone to “The Elementals of Vond”, as well as its author (and new member to Team Mana Punk), Patrick M. Tully!


The Elementals of Vond springs from the imagination of our newest team member, Patrick M. Tully, someone who seems to have a bit of a soft spot for old school dungeon crawls. Set in the darkest depths of the Smoking Crown, the very center of the dwarven empire, you and your fellow adventurers immediately get called into service by the Adventurer’s Guild in order to render aid to a dwarven mine. The secretive location known only as “Vond” has been taken over by hostile forces capable of taking the mine’s very metals and ores, twisting and transforming them into elemental monstrosities that will strike even the bravest of heroes with fear and trepidation.

About The Author

Patrick M. Tully is the latest addition to our evil corporate brain trust. Duel status as an avid reader and experienced role-playing gamer gives Patrick a deep well of knowledge and ideas from which he can draw; a volatile combination of talents that resulted in his coming to us with the conjured menace and machinations that have become The Elementals of Vond. While this is Patrick’s first foray into adventure module writing we feel that the end result is more than fantastic, forcing us to admit that we are definitely looking forward to his next crazy idea.

About The Adventure

The Elementals of Vond is set in the heart of the dwarven territories called “The Smoking Crown”.  This highly volcanic and extremely volatile area of the map is labelled as hazardous for a number of reasons beyond the lava and ash. Between the heated internal politics of the dwarven Kroal Empire and the border disputes that constantly occur with their desert dwelling A’Bondi to the north, things in the Smoking Crown can be dangerous for even the most savvy of adventurers. One of the most critical and secretive locations within this region of the map is a mining operation whose location goes unmarked and generally unknown; a location known simply as “Vond”. Seemingly overnight this mine, which normally a dwarven government secret due to the rare “Float Stone” mineral that it produces, has been taken over by hostile outside forces. As the mine’s location is kept a government secret, someone within the ranks of the Kroal would need to have leaked the location of Vond to outsiders. Once this accusation gets made, the resulting political fallout forces the Kroal government to seek the help of outsiders in quelling the captured mines. If operations are not restored to the Vond mining site soon, economic chaos could soon follow for the dwarven people.
“The gratitude of a Kingdom is always welcome, but do you dare go where even dwarves fear to tread in order to gain that favor?”
This adventure module marks the second adventure to make use of our unique Easy Read Formatting layout system. Combining easy to spot formatting and simple layout this module is set up so even a beginning Game Master make sense of it and get their group of adventurers to the action (and fun) even faster.  The Elementals of Vond is perfect for any group of 3 to 8 players from beginner to expert experience levels as it has been designed with adjustable difficulty in mind. Do you want to take it easy on your heroes and keep things at Easy or do you dare crank the difficulty all the way up to Hardcore?
The Elementals of Vond is available now in paperback through our webstore here in addition to Amazon, and will be available in PDF later today on DriveThruRPG.com. Keep your eyes peeled!

Sunday, December 16, 2012

Brian Setzer Rocks this town

I went to see Brian Setzer and his big band tonight at the Arena Theater in Houston. The show was a part of his Christmas Extravaganza show. I almost missed it, only seeing the ad on the theater marquee one day as I was driving by a few weeks ago, and boy I'm glad I caught the show.
I've seen his Christmas DVD, so I had some idea what to expect, but the show was still overwhelming. 
     Now, I'm a heavy metal guy from way back, and very little thrills me like that feel of heavy metal thunder - the crunchy guitars and bass you can feel as well as hear, but something I had always heard is absolutely true - there is nothing in the world like the experience of seeing, hearing and feeling a big band live in full cry. The power is incredible. I've been listening to both the new and original big band stuff for a long time, but nothing beats the live experience. I saw Royal Crown Revue (more on them later) on their Walk on Fire tour at the Continental Club in downtown Houston a number of years ago, and it was an excellent show, but tonight was different.
     The biggest surprise personnel-wise was the drummer - not Bernie Dresel as expected, but Danny Glass. Danny is a tremendous drummer who has done many things, but is most well known (to me anyway) for his work with Royal Crown Revue since 1994.  If you don't know RCR,  they - to quote DG's web site " single-handedly inspired today’s “Retro-Swing"” resurgence by combining 1940s sound and style with modern raw power."  They were playing at the Derby in LA and were influential in inspiring and paving the way for other bands including Big Bad Voodoo Daddy.
    Danny and Bassist Johnny Hatton form the backbone of the band, supporting five trumpets, five trombones, and five reed players who sometimes double up between saxes and things like bass clarinets and flutes.
     In his Christmas Extravaganza shows, Brian mixes his regular hits with selection from his Christmas albums. All the expected tunes were present, with highlights being Stray Cat Strut and Jump, Jive, and Wail. Also appearing were This Cat's on a Hot Tin Roof, '49 Mercury Blues, and Drive Like Lightning, Crash Like Thunder.  A tune made an appearance that I have never heard him do with the big band - the old Stray Cats number Sexy and 17. He did this as a feature with his backup singers, the Vixens - Julie and Leslie.  His Christmas version of Stray Cat Strut includes a detour through You're a Mean One, Mister Grinch, and featured a costumed Grinch causing trouble and scattering sheet music.  At one point the band takes a break and Brian plays a set with the trio, him, Danny, and Johnny.  They ran through an exciting set including Fish Net Stockings, and the Vixens came back for Blue Christmas.
     Brian's guitar work was up to his virtuoso level, with perhaps the most awe-inspiring example coming on his version of Flight of the Bumblebee - Honey Man. It features some of the fastest finger work I've ever seen.  Breathtaking to see live.
     For me, the highlight of the show was when the trio started in on Rock This Town, and the band came back in time to chime in for the second verse, with the whole band going full blast, and the crowd on it's feet.  For an encore, they did their version of the Nutcracker, displaying a lot of versatility and quite a bit of instrument switching on the part of the reed section.  They ended with their take on Glenn Miller's classic In The Mood.  All in all, it was a tremendous show, and if you have  a chance to catch them live I would highly recommend it.  Also kudos to the stage crew. They had a lot of fun dealing with the rotating stage, and did great work getting the second drum kit on and off the stage for the trio set. 

Saturday, December 15, 2012

Blowing off the Dust

I thought I would try to breathe a little life into my long-dormant blog, but where to begin - there are so many things worthy of my attention.

I have finished the bulk of the text for what should soon be my first published work, an adventure module for my brother Jeremy and his wife Jenn's pen-and-paper role playing game Mana Punk. It will be entitled The Elementals of Vond and will be set in a Dwarven Mine that has been infiltrated by a group of radical Elven environmentalist-types.  I look forward to the play-testing phase - it should be fun!

Tea Adventures

I got some wonderful  new loose leaf tea from my brothers for  my birthday, specifically black dragon pearls, some Darjeeling, and jasmine dragon pearls.  The black dragon pearls have proven to provide a very nice strong brew that is at the same time very smooth with no hint of bitterness. The Darjeeling is  not quite as strong, but has a very nice rich flavor with lots of character. The one that has been the biggest revelation for me has been the jasmine dragon pearls. It's a type I have not tried before, and is exceedingly light, fragrant, and refreshing while also standing up well to multiple infusions without losing flavor. I usually drink European blend black teas (with the exception of Earl Grey) with milk and sweetener, but the two new black teas I have taken black with just a little sweetener to get the most out of the great flavor and complexity.

Music

I had the opportunity to see a wonderful presentation of the Christmas portion of Handel's Messiah at Christ Evangelical Presbyterian Church on I-10 Thursday evening.  This church has for the last 8 or 9 years been presenting the Messiah free of charge as a gift to the community, and they do a great job.  The soloists are well worth hearing, with my favorite being the bass (shock, I know) who has a lot of depth and character to his voice.  I did feel a bit sorry for the tenor who was the first soloist to sing, but due to the selection of numbers, we never heard from again after that.  The soprano and mezzo blended beautifully for "He shall feed his flock", and the choir and orchestra were outstanding and I sincerely hope these folks can keep this tradition alive. If you have never heard the Hallelujah Chorus performed live, it is an experience you will never forget.
On a completely different note, I am anticipating seeing Brian Setzer live in concert with his big band Saturday the 15th at the Arena Theater. I have always wanted to see him live, and have never had the opportunity. Stay tuned to this site for reviews of the show!

Gaming

I am still very much enjoying World of Warcraft's latest expansion "The Mists of Pandaria". I have gotten my tauren druid Kernos to level 90, and and now busy doing daily quests, raising reputation with various factions, and collecting some fascinating new mounts. I have made a pandaren monk, but don't have him very far along - maybe level 15. I have enjoyed the storytelling in this expansion, and the zones are gorgeous.  I am anxious to see where the lore is going because  they are setting things up for an interesting ending. I've always been Horde (Lok'tar Ogar!), and was sad to see Thrall resign as war-chief, the ascension of Garrosh to power, and the betrayal and death of Cairne Bloodhoof.  Garrosh has become much more of a bloodthirsty madman than I think most foresaw, what with the nuking of Theramore and other things. It looks like the tauren and trolls are very much against his new direction, but no one has had the courage to do anything about it just yet.

Well that is enough for one evening, but stay tuned to this channel for more frequent updates!

Saturday, June 04, 2011

Manapunk


I would like to recommend to everyone my brother Jeremy and his wife Jenn's new venture. They have created a fresh, new world for pencil-and-paper role playing. I haven't done any pen and paper gaming in a while, but I did cut my teeth on Dungeons and Dragons, and their new project might just make me come out of retirement, as it were. to quote from the website:

Mana Punk is the fantasy role-playing game with a steam-punk twist! Create your own troll warrior with a steam powered mechanical arm to help drive their weapon swings, or be a spell slinging mage capable of commanding the very elements themselves!

This is a project he has been working on for a long time, and it has finally come to fruition. Manapunk is now available from a variety of sources, including lulu.com in either PDF or hardcopy, and will shortly be available from Amazon, and hopefully in your local gaming store. Also, Manapunk can be played with just a six-sided die, so no carrying around a huge bag full of weird dice around like a geek - not that there's anything wrong with that :)

Wednesday, December 23, 2009

Sad but probably true

Bruce Springsteen and the E Street Band triumph at Nashville's Sommet Center in what might have been one of their final shows

Submitted by Zach Everson on Sun, 11/22/2009 - 20:39.

It's not clear how many audience members realized that Wednesday night at Nashville's Sommet Center probably was their last Bruce Springsteen and the E Street Band concert.

After almost two straight years of touring, Springsteen and E Street are going on hiatus after tonight's show in Buffalo. With most of the band members in their 60s, saxophonist Clarence "Big Man" Clemons's health issues and recent remarks from band members, the odds are good that Nashville saw one of rock's greatest live acts' third-to-last show.

While the set list for the Nashville concert was full of older material (1975's Born to Run was played in its entirety and three songs from 1984's blockbuster Born in the U.S.A. anchored the encores, while just one song was played from their last two albums), there was nothing stale or dated about the blistering three-hour 28-song concert. This show was the 26th time I've seen Springsteen with E Street--the performance was as tight and the band was as loose as I've seen. If tonight is in fact their last concert, Springsteen and E Street are not cruising to the finish but rather have kicked into a higher gear.

Springsteen's catalog is so deep that he opened the Nashville show with three straight powerful and timely songs that aren't on any of his 16 studio albums: the new "Wrecking Ball," a tribute to the soon-to-be-demolished Giants Stadium; a scorching "Seeds," which was released on the Live/1975-85 box set; and his powerful version of Jimmy Cliff's "Trapped," which has long been a live favorite.

Based on the crowd's reaction though, you could have thought Springsteen opened with three of his greatest hits. Throughout the show, the audience was what you'd expect from Music City: fun, engaged and loud but respectful too.

When Springsteen did play a track from one of his studio albums, it was the nihilistic "Something in the Night," a deep cut from 1978's Darkness on the Edge of Town, that wasn't on the original setlist for Nashville.

It wasn't until song five that Springsteen performed one of his many hits--"Hungry Heart," which 29 years ago was his first top 10 song. As he usually does in concert, Springsteen let the audience take the vocals on the first verse. But in a twist that's new to this tour, halfway into the track he ventured out to a mini-stage about 10 rows into the crowd for a verse before riding the audience back (OMFG I touched his leg!) to the main stage, probably making the 60-year-old the first AARP The Magazine cover model to crowd surf.

After those songs about a building slated for destruction, a homeless family heading "south with just spit and a song," a trapped lover, a guy on a journey to nowhere and an unrepentant philanderer, Springsteen ended the first part of the show with the optimistic "Working on a Dream," the sole track from his most recent album he played on Wednesday.

The show's emotional and thematic centerpiece began two songs later when the band played the classic Born to Run album in its entirety. From the groggy harmonica opening that snaps to life at the beginning of "Thunder Road" to the final existential wails and cymbal rolls of "Jungleland," Springsteen and E Street nailed their performance of one of rock's best albums. Rather than blowing through an album that they've been playing for 34 years and played start to finish several times already on this tour, the songs were fresh.

Put in the context of the album, the title track, which had become anticlimactic for me after having heard it about two dozen times in concert before, regained the relevancy that it had when I was 17 years old and writing out its lyrics from memory while bored in English class. Mansions of glory, suicide machines, trying to look so hard, the runaway American Dream: why pay attention to a lecture on the 180-page "The Great Gatsby" when you can just rock out to the 4:30 "Born to Run"?

Springsteen too believes "in the green light, the orgastic future that year by year recedes before us. It eluded us then, but that's no matter--tomorrow we will run faster, stretch our our arms further..." And while one fine Wednesday night in Nashville, we--band and audience--"beat on, boats against the current," we were not "borne back ceaselessly into the past," but rather were delivered into the present, 15,000 of us thrusting our arms into the air in unison as Bruce belted out "Tramps like us / baby we were born to run."

The only issue with performing the entire album was the segue out of it (there's a reason that on past tours "Jungleland" was a set closer). After finishing that last song on the album, Springsteen and the members of the current E Street Band who recorded the album, all of whom are still in the band except organist Danny Federici who died in 2008, came to the front of the stage for a deserved ovation, but the mid-set break did curtail the show's momentum.

The seven songs performed after Born to Run in the main set came across like an afterthought: a fun, well-played afterthought that I enjoyed, but one without much of a theme. Of course, with Springsteen taking three straight suggestions from the crowd (many audience members--this one included--brought signs with song requests), it's probably a bit much to expect a unifying theme. But then again, he is Springsteen and perhaps the only American who faces greater expectations is the guy we elected president last November.

Some highlights from the last part of the main set:

* "Waitin' on a Sunny Day," with its cliched and simplistic lyrics, is one of my least-favorite Springsteen songs, but Springsteen's bringing kids on stage of late to sing a verse has made it a delight in concert.
* During "Two Hearts," guitarist Steve "Little Steven" "Miami Steve" "Silvio Dante" "That guy who looks like a New Jersey pirate" Van Zandt pulled six women in pink cowboy hat who'd been making eyes at him all concert on stage to dance. That move led Springsteen to audible into...
* A fun version of "You Can Look (But You Better Not Touch)."

The lightness continued in the encores, which began with Springsteen emerging from a band huddle and announcing, "We've never done this before." After a bit more futzing, Springsteen asked trumpeter Curt Ramm (a great recent addition to the lineup) to play the riff for the still unannounced song to the band. Ramm responded with the mariachi trumpet intro to "Ring of Fire" and not only did the band pick it up, but so too did the audience, turning Johnny Cash's biggest hit into a giant sing-along. Three days later, I'm still singing along to it. Bum, bum bum, bum bum ba da bum…

The show became a dance-along five songs later when Springsteen plucked a girl out of the audience, not to dance with him, but rather to oblige her request to dance with guitarist Nils Lofgren, during "Dancing in the Dark." The former top two song was one of three tracks from the 1984 blockbuster Born in the U.S.A. album played in the encores, songs this Springsteen snob normally would be disappointed to hear when they could be playing some rare gem. But knowing that what could be my final E Street Band concert was close to wrapping up, I was thrilled to hear them play anything.

And while Springsteen finished the show with a hit song, it wasn't one of his own but rather an ecstatic take of Jackie Wilson's "(Your Love Keeps Lifting Me) Higher and Higher," which again brought him out to the platform about 10 rows out in the crowd.

Hopefully Springsteen and E Street will remember that feeling and decide to tour again, lifting us all higher and higher one more time.

Set list
Wrecking Ball
Seeds
Trapped
Something In The Night
Hungry Heart
Working On A Dream
Thunder Road
Tenth Avenue Freeze-Out
Night
Backstreets
Born To Run
She's The One
Meeting Across The River
Jungleland
Waitin' On A Sunny Day
Santa Claus Is Coming To Town
Two Hearts
You Can Look (But You Better Not Touch)
Lonesome Day
The Rising
Badlands

Ring of Fire
No Surrender
Bobby Jean
American Land
Dancing In The Dark
Rosalita (Come Out Tonight)
(Your Love Keeps Lifting Me) Higher and Higher

from louisville.com

Sunday, August 23, 2009

Star Wars: The Old Republic

As I mentioned in my last column, I saw a gameplay trailer for the new Star Wars MMO coming out. It's being done by Bioware in conjunction with LucasArts. If you have played Star Wars games, either single-player, or the existing MMO, then you know this is a good thing. I have played Star Wars Galaxies several times at different phases in it's meandering lifespan. I have revelled in finally reaching 'glowie' status and have ground away at the Jedi path, and have also had my Jedi status handed to me on a silver platter. In short, while I have enjoyed playing SWG in the past, it can be kind of confusing, and if you leave the game and come back, chances are they will have completely changed the mechanics and you will have to learn how to play all over again.

Bioware is the outfit that produced the best of all the Star Wars games that I have played, Knights of the Old Republic. It was set about 4000 years before the events in the movies, at the height of the Sith Wars and had a role-playing system based on Wizards of the Coast's Star Wars Roleplaying Game. It had great gameplay, and the roleplaying aspect was excellent, driven by a menu system that let you choose your responses to events that you encounter. The new MMO they are developing uses this same system and also the concept of accruing Light side or Dark side points. These points are earned based on choices you make, and have quite a large impact on gameplay down the road, from abilities and equipment available, to how people react to you. This was one of the coolest aspects of KoTOR.

The combat system also looks very promising, with a few features I have not seem before. Combat seems a lot more real-time. In the trailer, a smuggler-class was engaging multiple opponents at the same time, moving to cover and firing from cover. It was impressive. While in combat, the system indicates places in the terrain that will provide cover, and also indicates where others are taking cover

The word used quite a few times in the trailer was 'epic'. The developers want the combat to feel epic - heroic - not routine, but exiting. Based on what I have seen, Star Wars: The Old Republic has a chance to immerse the player in its world like few other games have been able to. The story seems to be very important to the developers - an integral part of the game, not just a construct to build the game around. I love my WoW, but might have to take some time away from Azeroth to jump into the Star Wars world again.